Rabu, 30 Mei 2012

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Download Ebook About Orchids, by Frederick Boyle

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About Orchids, by Frederick Boyle

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About Orchids, by Frederick Boyle

Product details

Paperback: 124 pages

Publisher: CreateSpace Independent Publishing Platform; 1 edition (January 17, 2015)

Language: English

ISBN-10: 1507595514

ISBN-13: 978-1507595510

Product Dimensions:

6 x 0.3 x 9 inches

Shipping Weight: 8.5 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#13,303,020 in Books (See Top 100 in Books)

I LOVED this book. It gives a clear picture of the days of the " golden age" of orchid collecting and the great " stoves" or greenhouses built and kept by the very wealthy aristocracy prior to WW1. It's pretty much history rather than orchid care and many of the species mentioned are no longer around. It's written in a very warm " chatty" style. It talks about the expeditions to collect orchids and the fabulous prices they brought at auction. I really enjoyed this book.

Although this is an old book, written as orchids were being discovered and brought to the public, the stories are priceless and gave me much more information about how this worked. I was saddened by the accounts of the thousands of orchids lost in the process yet cheering for the ones that made it.Very interesting to read.

dull writing. hard to read

I really enjoyed reading this and highly recommend it to other orchid lovers. It is informative and much more. I feel I know Mr. Boyle.

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Rabu, 23 Mei 2012

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Download Utopia

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Utopia

Review

“We can’t do without this book. We are all and have always been Thomas More’s children.” —China Miéville “I am offered the Grand Inquisitor’s choice. Will you choose freedom without happiness, or happiness without freedom? The only answer one can make, I think, is: No.” —Ursula K. Le Guin

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About the Author

Sir Thomas More (1478–1535) was a counsellor to Henry VIII of England and a revered Renaissance humanist scholar. He was executed for refusing to acknowledge the king as head of the Church of England and was eventually canonized by the Catholic Church as a result. Ursula K. Le Guin is the author of twenty-two novels, four collections of essays, seven books of poetry, twelve children’s books and over a hundred short stories. China Miéville is the award-winning author of numerous works of fiction and non-fiction, including the The City and The City and This Census-Taker.

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Product details

Paperback: 224 pages

Publisher: Verso (November 8, 2016)

Language: English

ISBN-10: 1784787604

ISBN-13: 978-1784787608

Product Dimensions:

5.5 x 0.7 x 8.2 inches

Shipping Weight: 9.9 ounces (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

19 customer reviews

Amazon Best Sellers Rank:

#227,208 in Books (See Top 100 in Books)

When I saw that Verso was going to publish an edition of Thomas More's UTOPIA with an Introduction by China Mieville and several essays by Ursula K. LeGuin I was instantly interested and I knew that I was going to have to read this. I love More's quirky essay and thought that this had a chance to be one of the more interesting editions of UTOPIA in print. It is with enormous regret that I have to say that I'm not a fan of this edition at all. Well, no, not "at all." I'm always interested in having any of China Mieville nonfiction, which I believe I might enjoy even more than his fiction. He is without any question one of the most intelligent SF writers of his generation and I found his essay quite interesting. Also, as someone of the far political far left I am always especially interested in seeing anything that Mieville has to say on anything even remotely political, which UTOPIA most assuredly is, even if its politics is not always easy to discern. And Ursula LeGuin is an American treasure. If the topic is "The Greatest American SF writer," hers is one of a few writers whose name goes on instantly, with no debate. Her DISPOSSESSED is as fine a dystopia as exists, which in combination with brilliance as a critic of SF makes her someone whose opinion always merits attention.So why only three stars? Well, it is Thomas More who lets us down. Or rather, the Thomas More presented here. I grasp that one of the point of having Mieville and LeGuin involved was to make UTOPIA as accessible as possible to a modern audience. Unfortunately to do this much of the prefatory material (though in some editions it is included as an appendix) that More clearly wanted to be a part of the text has been omitted. This is just very important material, both for its inherent interest (many will know of Peter Giles, to whom More addresses some of the material, and even more will know Erasmus of Rotterdam, to whom other bits area addressed - both would play a key role in publishing the book and in making marginal notations that have been reproduced in many if not most editions of UTOPIA, while Erasmus would further show his opinion by when publishing his own most famous work, IN PRAISE OF FOLLY, which was dedicated to More, who is also mentioned in the Latin title, since the word for "Folly" is spelled precisely the same way that "More" is spelled when Latinized). I owned three previous translations of UTOPIA, so I don't personally need a new translation, but how can make a general recommendation of this book for those who do need a first rate translation? On the other hand, I don't quite want to recommend against someone reading the outstanding material by Mieville and LeGuin. So let me make a qualified recommendation.First, if you need a very good edition of the text for a relatively small amount of money, it is very hard to beat the Cambridge University Press edition edited by George M. Logan and Robert M. Adams. You will very hard pressed to find a better edition of More's work at anywhere close to the same price. Given the several qualifications in the last two sentences, one might gather that I'm hinting that there is a better edition of More's book at a much greater price and one would be correct. The single best edition of any book that I have ever seen of a work translated into English just happens to be the volume from Yale's definitive edition of the complete works of Thomas More. I was able to find a reasonably priced copy that has been withdrawn from the Thomas Aquinas Library of Santa Paula, California. This is a work of scholarship - mainly in English - that has to be seen to be appreciated. It begins with a book-length essay by J. H. Hexter, one of the great Thomas more scholars of all time, followed by a very long additional essay by an equally great More scholar, Edward Surtz, followed by a definitive Latin text facing a celebrated English translation, followed by several hundred pages back matter. It truly is several classic works under one cover. If you ever intend to do an in depth, scholarly study of UTOPIA, you will need to consult this book, unless you are a lucky as I was to find one used. NOTE: Yale published a heavily abridged edition of this in paperback; to get everything that I just described you will need to find the hardback edition of Vol. 4 of the Yale Edition of the Work of Thomas More. I would include a product link but I am not confident that it would show the correct book (Amazon often has trouble with books that predate the ISBN - since this is a pendantic paragraph already, let me point that that adding "number" to ISBN would be redundant, since the "N" stands for "number").If you have the Cambridge translation already, or on the unlikely chance that you have the Yale 1965 hardback, then I would definitely recommend getting this Verso edition. I am actually a big believer of owning multiple editions of classic books. I own, for instance, four copies of Thomas Hobbes's LEVIATHAN, and still harbor vague hopes of someday owning a copy of the Clarendon edition edited by Noel Malcolm, and this is a book originally written in English (though with there was both another Enlgish edition and a Latin edition that differs from the English, which just royally messes with everything). How would I know that the Verso edition omits crucial material if I didn't already have an edition? I loved reading Mieville's Intro. And even if there was no Intro by Mieville, the essays by LeGuin would have been enough on their own to interest me in this. I know that this is a complex recommendation, but the truth is that it is hard to be simple with most great books. Take the translation by Edwin Curley of Spinoza's ETHICS, first published in Volume One of his two-volume translation of the complete works of Spinoza. Curley's is regarded as the standard English translation now. Penguin secured the rights of that translation for its edition, so that would mean that the Penguin is both the cheapest and the best? But many, though not all, regard Samuel Shirley's translation, reasonably priced on Hackett, as even better. So Shirley or Curley is the best? Except Shirley pointed out to Curley several places where his Princeton, Vol. 1/Penguin translation stood to be improved. Curley agreed, and he made many corrections in his translation, which to date is only available in a very expensive volume he edited for Princeton entitled A SPINOZA READER THE ETHICS AND OTHER WORKS. And to make this all even more deliciously complex, one of the editions of Hobbes that I mentioned above - and my personal favorite - was edited for Hackett by Edwin Curley. In praise of Moriae indeed?The point is, there are very few definitive this or definitive that where translations or scholarly editions are concerned, and since if you are more than moderately interested in UTOPIA or even Utopia (or Dystopia) Studies you will want/need more than one edition of Thomas More's great book, you might as well make this one of them. Even if you have a crackerjack translation of More, you will probably want to see what Mieville and LeGuin have to add to the discussion. I'm delighted to have and I even have that phone-book-sized edition of the book.

Save your money and purchase only More's "Utopia" without any introduction. It would be a much better read, and more educational, than this one by Verso.Thomas More had a wonderful and classic style of writing which is easy to read and understand. The introductions and essays added (for more money) in this Verso version detract rather than add to More's classic. I would go so far as to say they don't belong in the book at all since they have very little relevance to it.The original version of Thomas More's "Utopia" can be found for free - a much better choice and price without the political distractions of this book.

It was informative

Amazon continues its annoying habit of putting reviews of "similar" books all together. In this case, it is particularly irritating to find this book grouped not only with reviews of other editions of Thomas More's "Utopia", but with reviews of a biography of More!!!! How this jumble of unrelated book reviews helps anyone decide on a book, beats me.In any case, this is NOT the More biography, which I have never read. It is a new paperback edition of More's "Utopia" (translated from the original Latin), published on "Utopia's" 500th anniversary. It's a nice edition and I particularly have to compliment the nice black type on white paper. Not too small, not too big--and no reading glasses needed! It seems a small thing, perhaps, but when you don't have to struggle to see the small or faint print (as with, let's say, the Dover edition), it makes a more enjoyable read.So, to begin with the formatting of the book is nice. The work itself has both historic and fictional importance. (Plus will be of interest to anyone captivated by Paul Scofield's performance of More in the marvelous film, "A Man for All Seasons"). It's hard to believe that More wrote this around twenty years after Columbus arrived in the New World. (Utopia is an island located somewhere in this newly discovered part of the world).No one knows for certain what More's purpose was in writing this--was it an ideal? a satirical comment on the flaws of Europe at the time? More's influenced by Humanism and its interesting that despite his Catholicism (later Lord Chancellor, of course), his Utopia is not a metaphor for the Church. There is no private property there (although there is slavery) and multiple religions peacefully coexist. It's made a bit easier to read by being a first person narrator and told as his experience and interactions. When you think this was written 500 years ago and the ideas still hold our interest (plus being the first description of a "utopia"), this is worth reading for multiple reasons.As for the essays by Ursula Le Guin, that's an unusual twist. There's certainly a disconnect (or was for me at least) between her content and tone in writing about the limits of utopias and her own social ideas and the reality of dystopia, but if you're prepared for that--the contrast in tone between mild More and aggressive Le Guin, and the contrast in themes of utopian ideals and dystopian realities--it's kind of an interesting inclusion, having the two writers side-by-side across the centuries of historical changes. I liked it.

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About the Author

Kathleen Kopp, M.A., is a Teacher on Special Assignment at Forest Ridge Elementary School in Citrus County, Florida. She has over 20 years of experience teaching kindergarten through fifth grade. Much of her work now involves training and coaching teacher

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Product details

Series: Effective Teaching in Today's Classroom

Paperback: 224 pages

Publisher: Shell Education; 2 edition (January 1, 2015)

Language: English

ISBN-10: 1425811922

ISBN-13: 978-1425811921

Product Dimensions:

7.3 x 0.5 x 9.2 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#115,844 in Books (See Top 100 in Books)

For this book to be about integrating technology it needs to integrate more! There is no excuse for this book especially considering the topic to not have hyperlinks embedded in the chapter leaving one to have to find information later. The author needs to update this edition. Having a chapter with the links could have been used to explore other 21st Century skills.

I used this book for a course. It had many good resources in it but also discussed things I was already familiar with.

Received item quicker than expected. I enjoy this book as it helped with a report I am working on for my Master's Degree.

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Sabtu, 19 Mei 2012

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Download PDF Dallas Then and Now®, by Ken Fitzgerald

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About the Author

Ken Fitzgerald works in neighboring Fort Worth and has written and photographed features for railway periodicals for 30 years. He first wrote and photographed the original Dallas: Then and Now in 2000 and has now wholly revised and rephotographed the book a decade later. He lives in Benbrook, Texas.

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Product details

Series: Then and Now®

Hardcover: 144 pages

Publisher: Pavilion; Revised edition (July 1, 2013)

Language: English

ISBN-10: 9781909108400

ISBN-13: 978-1909108400

ASIN: 1909108405

Product Dimensions:

11 x 0.7 x 9.5 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

21 customer reviews

Amazon Best Sellers Rank:

#361,492 in Books (See Top 100 in Books)

I had seen an older edition of this book on a friend’s coffee table and was thrilled that I was able to get my own copy. For those who love Dallas, and even for those who don’t, this is a really nice book.

Great book! Pictures of Dallas are priceless. Dallas is changing so fast; new buildings going up everywhere; neighborhoods changing and people moving in from the rest of the country. I hope the author continues to update the book.

We enjoyed old history of Dallas

Helpful history of Dallas

I bought it as a gift and the recipient appreciated the photos and quality of the book.

It had some good photos but didn't cover all that it could on more recent photos

I really like the way Fitzgerald compiled it. The photos of early Dallas (my hometown) were great, and directly opposite, the photos of the way it is now, just as the title depicts. It brought forth favorite memories, and makes a great coffee table book.

Fort Worth Then and NowI purchased this book and the Fort Worth Edition. They are both amazing books. I've never seen anything quite like these. My dad would have loved these books.

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Minggu, 13 Mei 2012

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Noah Kerner began his music career as a DJ at the age of four-teen spinning in nightclubs across the country, performing as stage DJ for artists like Jennifer Lopez, and appearing on shows such as Today and The Tonight Show with Jay Leno. He is now cofounder and CEO of the marketing agency Noise (noisemarketing.com), which has been featured on 60 Minutes as the company "to go to if you want to influence the choices of that fickle, unpredictable 20-something demographic." Kerner was recently highlighted in Billboard magazine's "Top 30 Under 30" most influential business executives. He is a graduate of Cornell University.Gene Pressman was co-CEO, creative director, and head of merchandising and marketing for Barneys New York for more than twenty-seven years, where he brought high-end brands like Armani, Versace, Prada, and Manolo Blahnik to the United States. Under Pressman's leadership, Barneys New York emerged as the defining force in retailing for upscale men's and women's ready-to-wear, accessories, and home furnishings. Pressman has been featured in such publications as The New York Times and Vogue and has appeared on the cover of New York magazine. He is a graduate of the Newhouse School at Syracuse University.

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Product details

Paperback: 272 pages

Publisher: Atria Books; Reprint edition (February 15, 2014)

Language: English

ISBN-10: 0743497104

ISBN-13: 978-0743497107

Product Dimensions:

5.5 x 0.8 x 8.2 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

44 customer reviews

Amazon Best Sellers Rank:

#552,658 in Books (See Top 100 in Books)

Seriously excellent read!!

The book `Chasing Cool' is about standing out in today's cluttered marketplace. According to the authors, cool isn't just a state of mind--it's a business. In boardrooms across America, product managers are examining vodka bottles and candy bars, tissue boxes and hamburgers, wondering how do we make this thing cool? How do we make this gadget into the iPod of our industry?The authors argue that we should be inspired by cool. Cool things lead to big profits. Apple's iPod, for example, is cool. Remember the Sony Walkman of the 70s? It was cool. But the iPod is cooler. You can carry around with you over 20,000 songs (depending on the model), and have enough room to fit a few music videos and blockbuster movies. iPods are so cool, everyone wants to own one. In fact, the crime rate in New York City increased by 30% because of iPod thefts.Podcasts are the direct result of iPods, and named after them. iPods makes it easy to download podcasts from the internet and listen to them on the go. Apple's iPod opened a whole new way of communication. Even YouTube videos could be transferred to an iPod! The iPod has become the icon of what cool is all about. Companies now ask, "How can we make our product into an iPod?" In other words, what should companies do to make a product as successful as an iPod?Us magazine is another success story. At first, Us magazine was a monthly magazine that was a complete flop. The editors had no idea what the magazine should stand for. Then a new editor was hired, and she turned the magazine around into something cool. She made the magazine a weekly publication, emphasizing the things she likes. In other words, she made a magazine for herself. She was her own customer. Us magazine suddenly rose in stature and sales, and advertisers flocked to it. Stars are just like us, and Us magazine portrays them as such. For example, Us magazine will have pictures of Catherine Zeta Jones sticking her finger up her nose, and of Britney Spears' dirty fingernails. That made the magazine cool, and the magazine rose to 1.6 million prints in circulation.The iPod was not the first mp3 on the market, nor the first portable music player. The Sony Walkman, back in the 1970s, was the first portable music player; what the iPod is today. But Sony was not able to keep its Sony Walkman cool, and soon lost out to the iPod. Still before the iPod came the Rio. But it was not cool enough and lost out to the iPod. What the authors are trying to say is that being the first to launch a product is not always the best thing. Their advice is not to aim to be first, but rather to aim to excel at what the company does. First is a dangerous place to be. Come second, and make something better. Follow other companies footsteps, but don't aim to be the leader. It is better to follow someone else's footsteps, and learn from their mistakes, than to have others follow your footsteps and eventually become better than you.The iPod has truly become a phenomenon, and the authors keep repeating this and using its success as an example in all their arguments. You can now find built-in connections to your iPod in cars, and even on my Honda Goldwing. U2 and Eminem partnered with the iPod! And hey, you can even buy a Jeans with a built-in iPod! How cool is that?Is your company a slave to today's trends? The authors warn against creating for today. A company should have the vision to create for tomorrow--to seek out what will be cool tomorrow. Hip Hop, for example, has become the iPod of the music world. No one thought Hip Hop will survive. This made the singers more rebellious. Snoop Dog is a perfect example. It is all about giving people what they like; giving them what they think is cool!The authors say that companies can find out what is cool, and therefore what the new trends are, from the internet and especially in chatting rooms. All the clues to the new trends are here today. It is like a puzzle that must be put together.Some companies actually fire their employees if they don't make mistakes. Mistakes mean they are making something new. A company can only thrive in doing new things, as opposed to stagnating on the same old thing. Polaroid is a perfect example. They were not quick enough to realize that the cool thing was digital photography. Though they were the first in instant imaging, digital imaging became the next cool thing in photography. Other companies beat them to it! This demonstrates again that being first is not necessary good.All companies should have trend reports. The US President gets a report everyday on world events. Similarly, companies should receive reports on what the cool trends are. According to the authors, buzz can be bought; consumers can be bought as well. You can spread contiguous info through the internet. To do that, companies hire their own ambassadors to spread a buzz.Where stars go, people follow. For example, restaurants that Paris Hilton frequents are deemed to be hot. Similarly, a brand watch is deemed hot if worn by a star. Stars do sometimes create trends, and companies should keep a watchful eye on them.The authors warn against having people wait outside a discotheque for the sole reason of creating a show or an artificial demand. People will go inside the discotheque and find it empty, and this will backfire on the discotheque's coolness. The name of the game is to remain cool, and you cannot do that by deception.The authors say that if you want to make luxury make it and shut up. Don't advertise the fact that you are making a luxury. Doing so is like a woman boosting that she is beautiful. Besides, what is luxury? What makes a product a luxurious item? Is it its price?You'll often hear people complaining that music nowadays is not as good as it used to be. The question you should be asking is, `who's asking?' In most likelihood the person complaining is not as young as he used to be. Music is different than it used to be, not better or worse. What was cool yesterday is no longer cool today. Can you see teenagers nowadays listening to Louis Armstrong?There is a good chapter on risk taking vs. risk management. All companies must take risk, but it should be managed risk. If you think about risk, you would never be able to create. You must face risk to succeed. Take big risks but with risk management. You have to reinvent yourself or you will lose market share.Less is better; less is more. Tommy Hilfiger is an excellent example of this. They over expanded, and Tommy's apparel became too abundant, available in every department store. They also over advertized. This made it not cool. Customers lost interest in it. The authors recommend to pull back on the reins. Many companies went out of business by over doing it.I really liked what Christina Aguilera had to say about staying cool. According to her, a singer should not repeat the same style of music over and over again. She also says that being in the public eye means being out of the fans' imagination. She doesn't go to too many parties anymore, for not only does partying keep her in the public arena, but also away from creative work.The authors say that the only way to stay cool is to kill yourself when you are hot. Sounds pretty drastic! They cite James Dean as an example. Their advice: Stage your own death. Don't live long enough to spoil your image. I'm sure by this they mean your product!A person might not be cool, but what he does can be cool. Cool must stick.Cool is to be relevant. Chasing somebody else's cool is a mistake. Christina Aguilera is cool. But having Barbara Streisand dress like Aguilera and sing her songs is not cool!This is a really great book and is very easy and quick to read. I really recommend it. It was fun reading it!

With authenticity as its battle cry, "Chasing Cool" was a textbook that didn't feel like a textbook. Kerner's narrative took me back to feeling anything is possible when one dreams. Go big: make sure to read this first.

What's cool today? Great question. What I might think is cool is totally different from what a 30 year old thinks is cool, which is different from a 17 year-old's perspective. Most companies want to have their brands perceived as cool, but if they try too hard, they risk having the "pursuit of cool" backfire on them, and in fact their products become very uncool.The authors, who must be cool because they keep saying so throughout the book, talk about the pursuit of cool, and how products that are currently considered cool, were able to attain this status. Even though I am not mentioned in this book, and therefore must not be cool, I do recommend this as a fast read, and one that will help you better understand the risks of fads, and the risk of wanting your product or service to be seen as hip. I think you might enjoy this book.

Fun read. It gives you examples from some of the biggest success stories in the business. READ IT NOW!I love the format of this book. I typically can't read business books but this was amazing!

This book is for a class that I have, but it's been a good read. Very practical and applicable to the Public Relations world. And it's not boring.

The book `Chasing Cool' is about standing out in today's cluttered marketplace. According to the authors, cool isn't just a state of mind--it's a business. In boardrooms across America, product managers are examining vodka bottles and candy bars, tissue boxes and hamburgers, wondering how do we make this thing cool? How do we make this gadget into the iPod of our industry?The authors argue that we should be inspired by cool. Cool things lead to big profits. Apple's iPod, for example, is cool. Remember the Sony Walkman of the 70s? It was cool. But the iPod is cooler. You can carry around with you over 20,000 songs (depending on the model), and have enough room to fit a few music videos and blockbuster movies. iPods are so cool, everyone wants to own one. In fact, the crime rate in New York City increased by 30% because of iPod thefts.Podcasts are the direct result of iPods, and named after them. iPods makes it easy to download podcasts from the internet and listen to them on the go. Apple's iPod opened a whole new way of communication. Even YouTube videos could be transferred to an iPod! The iPod has become the icon of what cool is all about. Companies now ask, "How can we make our product into an iPod?" In other words, what should companies do to make a product as successful as an iPod?Us magazine is another success story. At first, Us magazine was a monthly magazine that was a complete flop. The editors had no idea what the magazine should stand for. Then a new editor was hired, and she turned the magazine around into something cool. She made the magazine a weekly publication, emphasizing the things she likes. In other words, she made a magazine for herself. She was her own customer. Us magazine suddenly rose in stature and sales, and advertisers flocked to it. Stars are just like us, and Us magazine portrays them as such. For example, Us magazine will have pictures of Catherine Zeta Jones sticking her finger up her nose, and of Britney Spears' dirty fingernails. That made the magazine cool, and the magazine rose to 1.6 million prints in circulation.The iPod was not the first mp3 on the market, nor the first portable music player. The Sony Walkman, back in the 1970s, was the first portable music player; what the iPod is today. But Sony was not able to keep its Sony Walkman cool, and soon lost out to the iPod. Still before the iPod came the Rio. But it was not cool enough and lost out to the iPod. What the authors are trying to say is that being the first to launch a product is not always the best thing. Their advice is not to aim to be first, but rather to aim to excel at what the company does. First is a dangerous place to be. Come second, and make something better. Follow other companies footsteps, but don't aim to be the leader. It is better to follow someone else's footsteps, and learn from their mistakes, than to have others follow your footsteps and eventually become better than you.The iPod has truly become a phenomenon, and the authors keep repeating this and using its success as an example in all their arguments. You can now find built-in connections to your iPod in cars, and even on my Honda Goldwing. U2 and Eminem partnered with the iPod! And hey, you can even buy a Jeans with a built-in iPod! How cool is that?Is your company a slave to today's trends? The authors warn against creating for today. A company should have the vision to create for tomorrow--to seek out what will be cool tomorrow. Hip Hop, for example, has become the iPod of the music world. No one thought Hip Hop will survive. This made the singers more rebellious. Snoop Dog is a perfect example. It is all about giving people what they like; giving them what they think is cool!The authors say that companies can find out what is cool, and therefore what the new trends are, from the internet and especially in chatting rooms. All the clues to the new trends are here today. It is like a puzzle that must be put together.Some companies actually fire their employees if they don't make mistakes. Mistakes mean they are making something new. A company can only thrive in doing new things, as opposed to stagnating on the same old thing. Polaroid is a perfect example. They were not quick enough to realize that the cool thing was digital photography. Though they were the first in instant imaging, digital imaging became the next cool thing in photography. Other companies beat them to it! This demonstrates again that being first is not necessary good.All companies should have trend reports. The US President gets a report everyday on world events. Similarly, companies should receive reports on what the cool trends are. According to the authors, buzz can be bought; consumers can be bought as well. You can spread contiguous info through the internet. To do that, companies hire their own ambassadors to spread a buzz.Where stars go, people follow. For example, restaurants that Paris Hilton frequents are deemed to be hot. Similarly, a brand watch is deemed hot if worn by a star. Stars do sometimes create trends, and companies should keep a watchful eye on them.The authors warn against having people wait outside a discotheque for the sole reason of creating a show or an artificial demand. People will go inside the discotheque and find it empty, and this will backfire on the discotheque's coolness. The name of the game is to remain cool, and you cannot do that by deception.The authors say that if you want to make luxury make it and shut up. Don't advertise the fact that you are making a luxury. Doing so is like a woman boosting that she is beautiful. Besides, what is luxury? What makes a product a luxurious item? Is it its price?You'll often hear people complaining that music nowadays is not as good as it used to be. The question you should be asking is, `who's asking?' In most likelihood the person complaining is not as young as he used to be. Music is different than it used to be, not better or worse. What was cool yesterday is no longer cool today. Can you see teenagers nowadays listening to Louis Armstrong?There is a good chapter on risk taking vs. risk management. All companies must take risk, but it should be managed risk. If you think about risk, you would never be able to create. You must face risk to succeed. Take big risks but with risk management. You have to reinvent yourself or you will lose market share.Less is better; less is more. Tommy Hilfiger is an excellent example of this. They over expanded, and Tommy's apparel became too abundant, available in every department store. They also over advertized. This made it not cool. Customers lost interest in it. The authors recommend to pull back on the reins. Many companies went out of business by over doing it.I really liked what Christina Aguilera had to say about staying cool. According to her, a singer should not repeat the same style of music over and over again. She also says that being in the public eye means being out of the fans' imagination. She doesn't go to too many parties anymore, for not only does partying keep her in the public arena, but also away from creative work.The authors say that the only way to stay cool is to kill yourself when you are hot. Sounds pretty drastic! They cite James Dean as an example. Their advice: Stage your own death. Don't live long enough to spoil your image. I'm sure by this they mean your product!A person might not be cool, but what he does can be cool. Cool must stick.Cool is to be relevant. Chasing somebody else's cool is a mistake. Christina Aguilera is cool. But having Barbara Streisand dress like Aguilera and sing her songs is not cool!This is a really great book and is very easy and quick to read. I really recommend it. It was fun reading it!

Very quick read and basically boils down to what smart marketers already know. You can't chase "cool". You can be inspired by it and, through evolution, become it, but chasing it always results in being very "uncool" and fake. This theory applies to virtually any product.The insights from the music and fashion industry were well worth the time to read the book.

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Chasing Cool: Standing Out in Today's Cluttered Marketplace, by Noah Kerner PDF

Chasing Cool: Standing Out in Today's Cluttered Marketplace, by Noah Kerner PDF

Chasing Cool: Standing Out in Today's Cluttered Marketplace, by Noah Kerner PDF
Chasing Cool: Standing Out in Today's Cluttered Marketplace, by Noah Kerner PDF

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